Canalside & a Sense of Tacky Place

Both Chris and I have written extensively over the past several years about what’s going on at the Inner Harbor. (Unfortunately, links will have to wait).

In late 2010, the planning for Canalside was co-opted by a crowdsourcing process that provided all of the ills of central planning with none of the decision-making efficiency. After spending hundreds of thousands of dollars on a facile “placemaking” exercise by uncredentialed huckster Fred Kent of the Partnership for Public Spaces, the Erie Canal Harbor Development Corporation retained consultants to help flesh out the historical/cultural aspects of the Canalside project.

While the district had historically been a wetter, be-bricked version of Mos Eisley, the “history” that will be reproduced at Canalside was always going to be sanitized through contemporary biases.  While Chris and I advocated for the notion of giving people things to do and see, we were vilified for our suburban-colored glasses and our cultural, architectural, and artistic ignorance.

We merely traded a political planning elite for a cultural planning elite.

And the cultural elite’s Cultural Masterplan is out & embedded below.

Initially, Canalside will feature a Children’s Museum, which will fill a gaping hole in our city – one that Explore & More temporarily filled by bringing certain exhibits to a tent at Canalside during the temperate months. It was like the #Occupy version of a children’s museum. But another feature is something Mark Goldman personally lobbied for incessantly – a “solar powered carousel”, and an interpretive “how Buffalo fed America” look back at the times before the St. Lawrence Seaway and interstate network.

When it comes to the historical significance of the canal terminus, there’s a fine line between education and nostalgia porn.

Longer term, the plan is in deep Niagara Falls fail territory with a “4D theater production” depicting a balloon ride, which will “immerse visitors in a ‘you are there’ journey, with 4D effects such as falling snow, wind gusts, rumbling seats, scents, surround sound…”  The cost of re-making the “MOM” ride at Massachusetts’ Jordan’s Furniture and the 4D rides in the Falls will be $25 million, plus operating costs of about $1.3 – 1.7 million per year.

$25 million to take something that was supposed to be “authentic” and give one a “sense of place” and turn it into sideshow tack and a snack shack. This entire placemaking exercise has been an absolute crock of crowdsourcing nonsense that has let dozens of unelected people with tiny constituencies promote their personal biases and prejudices in the name of the entire community.

They sold us on “authentic”, and “lighter, quicker, cheaper”. We’re getting fake, phony tack. Where’s the sense of place?

Does this follow the 2004 Master Plan?

Authenticity?

Sense of Place if Buffalo is Jurassic Park

 

CanalSide Cultural Masterplan Final Report

A presentation to accompany the report is here:

Cultural Master Plan Presentation

On a side note, renderings of a summertime and wintertime Aud block at Canalside look quite inviting. Let’s stick to this:

Artist Rendering of Aud Block in Summer with Public Canals

Artist Rendering of Aud Block in Winter with Public Canals


Canalside & a Sense of Tacky Place

Both Chris and I have written extensively over the past several years about what’s going on at the Inner Harbor. (Unfortunately, links will have to wait).

In late 2010, the planning for Canalside was co-opted by a crowdsourcing process that provided all of the ills of central planning with none of the decision-making efficiency. After spending hundreds of thousands of dollars on a facile “placemaking” exercise by uncredentialed huckster Fred Kent of the Partnership for Public Spaces, the Erie Canal Harbor Development Corporation retained consultants to help flesh out the historical/cultural aspects of the Canalside project.

While the district had historically been a wetter, be-bricked version of Mos Eisley, the “history” that will be reproduced at Canalside was always going to be sanitized through contemporary biases.  While Chris and I advocated for the notion of giving people things to do and see, we were vilified for our suburban-colored glasses and our cultural, architectural, and artistic ignorance.

We merely traded a political planning elite for a cultural planning elite.

And the cultural elite’s Cultural Masterplan is out & embedded below.

Initially, Canalside will feature a Children’s Museum, which will fill a gaping hole in our city – one that Explore & More temporarily filled by bringing certain exhibits to a tent at Canalside during the temperate months. It was like the #Occupy version of a children’s museum. But another feature is something Mark Goldman personally lobbied for incessantly – a “solar powered carousel”, and an interpretive “how Buffalo fed America” look back at the times before the St. Lawrence Seaway and interstate network.

When it comes to the historical significance of the canal terminus, there’s a fine line between education and nostalgia porn.

Longer term, the plan is in deep Niagara Falls fail territory with a “4D theater production” depicting a balloon ride, which will “immerse visitors in a ‘you are there’ journey, with 4D effects such as falling snow, wind gusts, rumbling seats, scents, surround sound…”  The cost of re-making the “MOM” ride at Massachusetts’ Jordan’s Furniture and the 4D rides in the Falls will be $25 million, plus operating costs of about $1.3 – 1.7 million per year.

$25 million to take something that was supposed to be “authentic” and give one a “sense of place” and turn it into sideshow tack and a snack shack. This entire placemaking exercise has been an absolute crock of crowdsourcing nonsense that has let dozens of unelected people with tiny constituencies promote their personal biases and prejudices in the name of the entire community.

They sold us on “authentic”, and “lighter, quicker, cheaper”. We’re getting fake, phony tack. Where’s the sense of place?

Does this follow the 2004 Master Plan?

Authenticity?

Sense of Place if Buffalo is Jurassic Park

 

CanalSide Cultural Masterplan Final Reporthttp://www.scribd.com/embeds/77359065/content?start_page=1&view_mode=list&access_key=key-aea7ew89n7p041wenyq

A presentation to accompany the report is here:

Cultural Master Plan Presentationhttp://www.scribd.com/embeds/77667232/content?start_page=1&view_mode=slideshow&access_key=key-27543cixlwh0p7901zam(function() { var scribd = document.createElement(“script”); scribd.type = “text/javascript”; scribd.async = true; scribd.src = “http://www.scribd.com/javascripts/embed_code/inject.js”; var s = document.getElementsByTagName(“script”)[0]; s.parentNode.insertBefore(scribd, s); })();

On a side note, renderings of a summertime and wintertime Aud block at Canalside look quite inviting. Let’s stick to this:

Artist Rendering of Aud Block in Summer with Public Canals

Artist Rendering of Aud Block in Winter with Public Canals


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Insanity Debate

I managed to watch about 30 – 45 minutes’ worth of the Republican presidential debate in New Hampshire this weekend. That was all I could stomach.

When Newt Gingrich began complaining about the “war on Christianity” being waged by the Obama administration, I tweeted this:

[blackbirdpie url=”https://twitter.com/#!/buffalopundit/status/155844160631484416″]

[blackbirdpie url=”https://twitter.com/#!/buffalopundit/status/155844805086285824″]

[blackbirdpie url=”https://twitter.com/#!/buffalopundit/status/155846063910166528″]

[blackbirdpie url=”https://twitter.com/#!/buffalopundit/status/155846917195177985″]

…and turned on Ghost Adventures on the Travel Channel. I found it to be more intellectually honest and stimulating than the ignorance slapstick that ABC was airing.

A 3 1/2 Okun Review

Janice Okun dined at the somewhat newly reconstituted Rue Franklin, and reviews it here. For the second time in as many weeks, she did not give a half-star. This is a peculiar change from the norm.

What we do learn from her review of this venerable French restaurant is the following:

1. Her dessert was “nonthreatening”. That seems to be the underlying theme for most Okun reviews; one might describe it as, “almost totally subliminal”.

2. Lighting is important to a restaurant’s ambiance. Who knew?

3. The portions were to her liking; i.e., large.

4. Although this is a French place with traditional French dishes such as seared foie gras, Ragôut of veal sweetbreads with white wine, mushrooms, tomato and tarragon, poule au pot, and a braised short rib specialty of Gascony, she ordered two benign salmon dishes.

5. As usual, there is less information about dishes’ flavor than there is about ambiance, lighting, and the fact that Okun knows the waiter’s name.

As such, I give this review three and a half okuns. In keeping with the Gusto’s restaurant reviews, I will give no background on how the okuns are awarded.

Valenti's: Still Going

Way back in mid-December, I wrote two posts smacking the Buffalo News and its restaurant reviewer, Janice Okun, for regurgitating untrue claims made by a couple running a red sauce joint in North Tonawanda. The first post is here, the second is here.

The original post is now up to 140+ comments, many of which detail various legal problems and outright lies told by these restaurateurs. It has since drawn the attention of the Metro papers, here.

After contacting the Food Network, and the production company in charge of producing the show Iron Chef, Triage Entertainment, Inc., both companies indicated having no record of Valenti appearing on the show.

“We have a master list that shows every competitor that has appeared on the show,” said Courtney Mattox administrative assistant at Triage. “There is the possibility that his name slipped through the cracks but we keep pretty good records.”

After trying to contact Valenti to provide him the opportunity to prove otherwise, Metro was only able to contact his wife, Lori, who stated “I will not comment on this matter, I will have Terry call you back.”

Terry never called back.

Brian Kahle of Magic Marketing, provided a press release to The Source regarding the restaurant grand opening, which took place Monday, Nov. 14, which read:

“Executive Chef and co-owner, Terry Valenti, is a guy who took-on and defeated celebrity chef Bobby Flay during a 2003 episode of TV’s popular ‘Iron Chef.’ When challenged to come up with four great dishes using parsnips, of all things, Terry produced four exquisite offerings, including his Chilean Sea Bass, stuffed with parsnips and artichoke hearts”. His creative dessert choice was a Mango Parsnips Ice Cream, which the judges also loved.”

The funniest thing I saw, however, was this article from Brevard County Florida, outlining Valenti’s elaborate claims about being a CIA graduate, and such a valuable asset to the then-defunct Mamma Leone’s restaurant in Manhattan that the owner “cried” when he resigned.

Click to enlarge

I’ve never seen such a wide and deep volume of utter nonsense just to puff some nondescript restaurant and a nobody chef, and none of it is necessary to run a decent Italian food joint. Interesting what a simple vetting of an Okun review might reveal.

Political Shorts

1. I am hearing that ex-County Exec Chris Collins is telling people that he’s going to run against Kathy Hochul for Congress in 2012. The redistricting issue is not yet settled, so it’s unknown what Hochul’s district will look like. If true, it immediately reminds me of the story in the Buffalo News in early 2010 whereby Collins – angrily, his natural state – confronted Hochul over whether she would be running against him for County Executive. As we all know, wealthy unemployed person Chris Lee went looking for sex with transexuals on Craigslist, resigned his Congressional seat, and Hochul went on to defeat Collins’ neighbor, Jane Corwin in May.

2. I’ve always been curious about the connection between Entercom and the SPCA – the hearts of some of the ultra-conservative hosts on Entercom bleed for animals while they have little compassion for down-on-their-luck humans. A tipster (actually, it’s the guy we all know as Doc Maelstrom, whoever he might be) emails the following with respect to the current controversy surrounding the Niagara County SPCA:

For the sake of disclosure it should be revealed that the President of the Niagara County SPCA, Brandy Scrufari, works for the President of the Erie County SPCA, Larry Robb, at WTSS radio. Robb is VP/GM of WTSS and several other Entercom radio stations where Brandy Scrufari has been working for the past 20 years. To have the Erie County SPCA scrutinize the claims of cruelty against the Niagara County SPCA is disingenuous considering the relationship Scrufari and Robb have had for two decades. Do not expect this investigation to reveal anything that Scrufari does not want revealed.

http://www.niagaraspca.org/Board%20of%20Directors_1

http://www.yourspca.org/page.aspx?pid=511

3. The atmosphere at yesterday’s Erie County Legislative reorg session was nothing like the last one, where the so-called “reform coalition” broke away to create a de facto Collins-friendly Republican legislative majority caucus. In 2009, when staffers were fired, Sheriffs were on hand to intimidate and impliedly threaten. Yesterday’s session, where Betty Jean Grant was unanimously elected chairwoman, was downright friendly. There was camaraderie among the legislators and their staffs, there were smiles, handshakes, and relief. The session took a little over an hour, whereas 2009’s went on for hours. While there is already some acrimony over borrowing versus spending from the general fund, yesterday’s session bodes well for a more functional and less acrimonious 2012 – 2014. There was some staff turnover yesterday, but I frankly detected more relief than anything even from those who didn’t know what their fate would be.

Here are some reminders from 2010:

Kodak Moment

 

I will never, for the life of me, understand why Kodak couldn’t have pivoted into becoming a digital imaging giant. I haven’t developed a roll of film in ten years, and Kodak owned tons of digital imaging patents. I’ll never understand why Canon, Nikon, Leica, Minolta, Pentax, and other foreign camera makers thrive on excellence and innovation, but Kodak couldn’t get it together to make a quality digital imaging product that people around the world would use. It was all unnecessary and myopic.

HT Marquil from EmpireWire.com.

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