Buffalo’s Outer Harbor: From Brownfield to Question Mark

Most everyone agrees that the Outer Harbor should primarily be set aside for parks and recreation. This includes the Erie Canal Harbor Development Corporation, as well as local preservationist, environmentalist, and planning activists. But as with any proposal that has even minimal complexity, there is a Buffalonian blood feud brewing when it comes to the issue of development.

For over half a century, the people who run the airport, buses, and trolley also owned the land on the Outer Harbor. It fell into decay, disrepair, and parts of it were an environmental catastrophe. Anyone who cared agreed that the land was being poorly managed, and that it was a squandered opportunity.  In just the last few years, all that has changed, but it hasn’t been easy.

For instance, when improvements were made to access the Outer Harbor in recent years, the same people now fighting the idea of construction on the outer harbor were railing against enhancements to access it, claiming silly things, e.g., a bermed Route 5 off the Skyway represented a “wall” between Buffalo’s downtown and her waterfront – never mind the river and the grain elevators.

The Outer Harbor has now become an attractive, if unfinished, parkland enjoyed by thousands of people every year. The fought-over improvements to access Fuhrmann Boulevard, the attractive streetscape, and the new bike paths, beaches, and parks are the reason why. What was once a barren, poorly accessible wasteland is now an improved, accessible parkland.

Today, we’re debating whether people might someday live there, and whether there might be things to do there besides recreate. I’ve long advocated for careful development on the Outer Harbor to give people an opportunity to live, work, and play along one of the most attractive spits of waterfront land in America.

In the inaugural issue of the Public, Bruce Fisher makes the argument against development on the Outer Harbor, citing everything from the weather and wind to tax policy and housing values.  It was the weather that led a Giambra administration to recommend the construction of a domed amusement park just a decade ago.

About the weather and wind – Buffalo and her waterfront are not the most inhospitable places in the world. People live and buildings are constructed in the wind and cold throughout the world. If you take Fisher’s argument about how inclement the winter weather gets out there, then one would have to question the sanity of anyone living in places like Moscow, Helsinki, Stockholm, Reykjavik, Oslo, or other locations with climates as harsh – or worse – than our waterfront’s. After all, we’re talking about building attractive shelter, not a beachfront resort.

Fisher’s argument is more persuasive on the tax policy and housing demand front. He chips away at the notion that residents on the waterfront will contribute to the tax base, pointing out how guys like Paladino build new developments with massive tax breaks. However, an influx of residents to Buffalo’s waterfront contributes to local economic activity in other ways. Sales taxes and other fees for goods and services will find their way to Buffalo rather than wherever these hardy, weather-immune pioneers came from.

Fisher’s strongest point touches on the crisis of property abandonment throughout Buffalo. There are thousands of units of vacant, absent, or dilapidated housing throughout Buffalo’s neighborhoods, and prioritizing high-end luxury buildings on the waterfront when we have this other problem is, at best, unseemly. But the property we’re talking about on the waterfront is different from an east side bungalow in a few salient ways, not the least of which is the real estate mantra: location, location, location.

What of that location? Listening to opponents of development on the Outer Harbor, you’d think that ECHDC was planning to mow down all the wetlands and parks and put up a sea of parking lots and concrete bunkers. But look at the renderings – there’s nothing but parkland all over the place, even in the ECHDC plan. The most contentious proposal involves construction along the Buffalo River, opposite Canalside.  What’s there now, you ask? A parking lot for people’s drydocked boats and their cars; an eyesore.

Here’s a presentation showing the three alternatives that the ECHDC proposed. Almost all of the building they’ve been talking about is on parcels that are now either parking lots, drydocks, or dilapidated concrete parks. The impact to greenspace is de minimis.

Here is one of the ECHDC proposals. The development is limited to those areas that are already concrete lots, and it creates a huge swath of new publicly accessible parkland.

Here’s another view of what the ECHDC is proposing. This seems to track “Alternative B”.

For the areas they’re talking about developing, they’re already marred by crap. ECHDC seems to be saying, let’s replace the crap with something attractive and usable.

I think Fisher’s piece contributes positively to a debate that we should be having about reuse of the Outer Harbor, and the abandonment point is an interesting one. But right now the choices being pushed to the public are to either build nothing at all, or accusing ECHDC of wanting to build a sea of Waterfront Villages out there to encroach on Times Beach Preserve. However, that’s not what’s happening.

But why would we prohibit any development on these dilapidated, eyesore parcels in perpetuity based on current real estate and economic conditions? Cities all over the world have re-shaped their waterfronts in part due to the introduction of things to do and places to go. If the conditions are inhospitable in the winter, some shelter makes sense. Expanding Metro Rail down to the Outer Harbor makes sense. Even if ECHDC was to simply plan and zone the buildable parcels, get utilities down there, and then let private developers have at it through a transparent public auction, would that be a net negative for Buffalo?

Maybe now isn’t the best time to build out there, but someday it might be. We should be careful about planning how it happens, but it should be allowed to happen.

Seven Hundred and Sixteen TeeVees #ForReal

(716) 1 theaterI’m disappointed that the (716) Bistro won’t have 40′ TV screens and is settling for 38-footers. Perhaps I’ll file a lawsuit to block the proposal. My favorite part of the reveal was this paragraph, which was in the Buffalo News

The restaurant’s walls will be decorated with graphics that tell the history of the numbers 7, 1 and 6 throughout the history of sports. Its bathrooms will feature mirrors that have TVs embedded within them. And, in addition to the 38-foot TV screen, there will be 55 more big-screen TVs throughout the restaurant.

Watching the embedded mirror TVs after taking a piss is all well and good, but what about during the piss itself? Can we expect supraurinal plasma screens? What about on the inside of the doors to individual stalls? Going number 2 can take minutes rather than seconds, and patrons can’t miss a minute of sports action! Will the hand dryers have TVs?

Who knew that Tully’s was a restaurant decor trend-setter? 

But seriously, I don’t have a problem at all with a big hotel/hockey/restaurant project across from the First Niagara Center and Canalside, and down the block from Helium. It’s high time that area became the city’s entertainment district, and as much as we can make fun of the acid-washed  dream that is (716), let’s be clear on one thing – HarborCenter is the Bass Pro project, (without the public cash). 

Although it won’t be selling waders, rods, reels, and shotguns, it is a large-scale, expensive destination project that will attract people year-round. The (716) restaurant isn’t going to be fine dining, nor is anyone pretending that it will. It will likely feature a wide panoply of the finest deep-fried dishes, making you wish you owned the exclusive Pitco Frialator distributorship for western New York. It’ll be an over-the-top mega-sports bar to which people will drive 30 minutes to ignore their friends and get drunk while watching – and screaming to – an endless bank of TVs, wearing $120 hockey jerseys, and hopefully not drive home. 

It might not be your cup of tea or mine, but what HarborCenter is doing is, on balance, a good thing for Buffalo.

Surface Parking Protectionism

The image shown above is a rendering of the HARBORcenter – the Sabres’ proposed hotel, restaurant, retail, and indoor hockey destination planned for construction on the long-abandoned Webster Block.  It’s no Fallingwater, but it doesn’t need to be. It’s not ugly and it’s wholly functional, and will bring people and their money to a fledgling entertainment district that’s growing in fits and starts of its own accord. 

Buffalo antideveloper Tim Tielman has started a company named after the “neighborhood workshops” that have been part and parcel of the formulation and implementation of Buffalo’s soon-to-be “Green Code” zoning law. On Tuesday, Tielman, on behalf of his “Neighborhood Workshop, LLC” appeared before the Planning Board to complain about how the Pegula-led “HARBORCenter” project for the Webster Block isn’t pretty enough for him and his clientHi-Temp Fabrications, which occupies an eyesore across the street from an HSBC Atrium surface lot. 

Four speakers, including the owner of a neighboring business, spoke against the project during a City Hall public hearing today.

Speakers said the development would contribute to congestion and that it did not resemble historic architecture styles.

“The central planning issue that we’re facing in Buffalo today … is how to connect downtown to the waterfront,” said Tim Tielman, whose Neighborhood Workshop consultancy developed an alternative concept on behalf of John and Shelley McKendry, who own Hi-Temp Fabrication, at 79 Perry St. Tielman said the project adds to the separation of downtown and the water, as the Skyway does.

Yes, it’s time to hold our horses and literally obstruct something being planned imminently to replace a surface parking lot.  Perhaps we can make it more historically interpretive by adding hay bales and hitching posts? A museum of downtown surface parking might be good for the cultural tourists? Or maybe we can just re-pave and re-stripe the lot? Perhaps we can retain Fred Kent and his extortionate traveling “placemaking” salon to discuss “flexible lawns” and colorful benches? Where are the solar-powered carousels?

Better yet, maybe we can tell the Sabres to go to hell and construct some ugly hodgepodge of buildings with outdoor rinks as an afterthought up on the roof. 

Mr. Tielman and his uncharacteristically disclosed patrons are coming to protect downtown’s connection to the waterfront – that is, if you ignore the fact that the railyard and the really big hockey arena both do that very thing already. 

Who are we in Buffalo to expect or want a nice hotel and hockey facility to help build on a solid entertainment district foundation now anchored by CanalSide, First Niagara Center, and Helium Comedy Club? 

If Hi-Temp Fabrications wants to weigh in on a development’s design, it should invest in the development or buy the parcel. The 11th hour unwanted micromanagement of a $170 million hockey destination and for what? For this eyesore, which looks like a Crayola marker box come to life; Curaçao by the Arena.

 

 This isn’t a case for historic preservation or even one where a better design is being proposed in place of an existing one. This is about ego, power, and subjective design prejudices. That hotel would look great in coastal Florida. In 1977. Those little phony colorful row houses look as stupid as they do out of place. The idea of outdoor rinks completely flies in the face of the Sabres’ intent – to design a destination Division 1 AAA hockey facility to attract tournaments of all ages from all over. Just leave the Sabres alone. When it comes to attracting people and money, they’ve already got things figured out pretty well. 

Buffalo Buffalo Buffalo

Cuyahoga at Lake and Rail Buffalo NY

Cuyahoga at Lake and Rail Buffalo NY by tark9, on Flickr

1. Shorter Buffalo News piece on Deputy Mayor Steve Casey: he’s a dick who terrorizes staff and throws Democrats under the bus in favor of Chris Collins, but he’s the Mayor’s dick

2. The Buffalo News calls this Hochul ad misleading. How so? It doesn’t say Collins got rich off of Ingenious’ Balance Buddy. It says he makes more money by outsourcing the manufacturing in China rather than building the device in western New York.

Statement A:

Asked why Ingenious would contract with a manufacturer in China, Collins said that it would be too expensive to make the product in the United States. ’It would not be feasible to have that product made and packaged for $7 in the U.S.,’ Collins said. (Cannot link directly to Buffalo News story because of its wholly unusable web presence). 

Statement B: 

China manipulates its currency, steals intellectual property from American companies, subsidizes government-owned businesses that compete with firms in the United States and closes its markets to foreign products.

“It’s not OK,” he said.

If the trade inequities with China are removed, “those jobs come back,” Collins said.

That’s patently true – by Collins’ own admission – and not at all misleading. In fact, the Buffalo News’ “fact check” is misleading. Also – perhaps more egregiously – he conducted Ingenious business from the 16th floor of the Rath Building, and so badly screwed over the initial investors that they’ve sued him.  

3. If there’s one thing Donn Esmonde loves to do, he loves to pat himself on the back. He loves being the official organ of Buffalo’s development/preservationist intelligentsia. So, he twists and contorts to the conclusion that the Liberty Hound‘s success somehow prove that the “lighter, quicker, cheaper” scam is the best thing ever. What the Liberty Hound’s success – as well as the success of a lot of Canalside’s summertime programming – really establishes is that the waterfront will be a popular place if you give people something to do there. Lighter, quicker, cheaper didn’t give us Liberty Hound – that was a big project done with a state agency,  a partnership of two successful restaurateurs, a museum, and  an assist from big political players. Lighter, quicker, cheaper gave us the Fred Kent “placemaking” sideshow, the snack shack, and brightly colored Adirondack chairs. The ECHDC was bullied into doing it by a supposedly earnest man endlessly pushing solar-powered carousels who wasn’t so quick to disclose that his interests in the matter also involved how Canalside might affect the bar and restaurant business in Black Rock and Allentown.  

Explore ‘n More Should Be At Canalside

When Chris Ostrander sharply criticizes the placemaking fraud that has has supplanted top-down planning with a bottom-up feelings-based lack of planning, he is exactly correct. Deck chairs, hot dog shacks, and happy feelings aren’t going to organically develop the inner harbor, and I’ve written before that all we’ve done is nominally exchange a political/business elite planning scheme for a cultural elite planning scheme. 

 I disagree, however, with Ostrander’s criticism of the proposed Children’s Museum. Such a museum will involve an outlay of public money for construction, and likely will be operated by a well-respected current operator of a children’s museum facility – Explore and More – that is in deep need of a new facility. Ostrander writes: 

I’m condemning the thought of trading the space previously reserved for Bass Pro for a children’s museum. My problem with Bass Pro was that the store wouldn’t capture an entire audience nor cohesively bring the neighborhood together. Now the approach is to use the plan with the least amount of risk. Literally. This plan is being adopted because there is little, to no risk involved. Instead of taking a major step and hitting a home run, Buffalo will be forced to accept a sacrifice bunt, just to advance the runners.

Ostrander misapprehends the size and scope of the Children’s Museum, and what is to happen with the Aud Block and the “space previously reserved for Bass Pro”. 

Regardless of the solar carousel vs. Bass Pro argument, Canalside needs to be a 4-seasons, all-ages place to go. I’m not a fan of the whole “story of Buffalo” programming BS that’s suffused the whole project, but Ostrander is misstating the extent of the Children’s Museum in his piece. 

The image above is a rendering of the current plan for the Aud Block; it isn’t going to be replaced with another huge building fitting its footprint.  What was once the Aud will be chopped up into smaller parcels, footpaths, and canal-shaped reflecting pools. The Children’s Museum – pretty much the only cultural programming at Canalside that I think isn’t a horrible joke – will only take up a small portion of that location, and that’s ok. 

Turning the “story of Buffalo” into a 4D motion ride and costumed people strolling around what should be a shopping & entertainment district is what deserves criticism. Moving Explore ‘n More to the Inner Harbor is one of the better ideas to have come from all of this idiotic turmoil. 

 

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Explore 'n More Should Be At Canalside

When Chris Ostrander sharply criticizes the placemaking fraud that has has supplanted top-down planning with a bottom-up feelings-based lack of planning, he is exactly correct. Deck chairs, hot dog shacks, and happy feelings aren’t going to organically develop the inner harbor, and I’ve written before that all we’ve done is nominally exchange a political/business elite planning scheme for a cultural elite planning scheme. 

 I disagree, however, with Ostrander’s criticism of the proposed Children’s Museum. Such a museum will involve an outlay of public money for construction, and likely will be operated by a well-respected current operator of a children’s museum facility – Explore and More – that is in deep need of a new facility. Ostrander writes: 

I’m condemning the thought of trading the space previously reserved for Bass Pro for a children’s museum. My problem with Bass Pro was that the store wouldn’t capture an entire audience nor cohesively bring the neighborhood together. Now the approach is to use the plan with the least amount of risk. Literally. This plan is being adopted because there is little, to no risk involved. Instead of taking a major step and hitting a home run, Buffalo will be forced to accept a sacrifice bunt, just to advance the runners.

Ostrander misapprehends the size and scope of the Children’s Museum, and what is to happen with the Aud Block and the “space previously reserved for Bass Pro”. 

Regardless of the solar carousel vs. Bass Pro argument, Canalside needs to be a 4-seasons, all-ages place to go. I’m not a fan of the whole “story of Buffalo” programming BS that’s suffused the whole project, but Ostrander is misstating the extent of the Children’s Museum in his piece. 

The image above is a rendering of the current plan for the Aud Block; it isn’t going to be replaced with another huge building fitting its footprint.  What was once the Aud will be chopped up into smaller parcels, footpaths, and canal-shaped reflecting pools. The Children’s Museum – pretty much the only cultural programming at Canalside that I think isn’t a horrible joke – will only take up a small portion of that location, and that’s ok. 

Turning the “story of Buffalo” into a 4D motion ride and costumed people strolling around what should be a shopping & entertainment district is what deserves criticism. Moving Explore ‘n More to the Inner Harbor is one of the better ideas to have come from all of this idiotic turmoil. 

 

Canalside & a Sense of Tacky Place

Both Chris and I have written extensively over the past several years about what’s going on at the Inner Harbor. (Unfortunately, links will have to wait).

In late 2010, the planning for Canalside was co-opted by a crowdsourcing process that provided all of the ills of central planning with none of the decision-making efficiency. After spending hundreds of thousands of dollars on a facile “placemaking” exercise by uncredentialed huckster Fred Kent of the Partnership for Public Spaces, the Erie Canal Harbor Development Corporation retained consultants to help flesh out the historical/cultural aspects of the Canalside project.

While the district had historically been a wetter, be-bricked version of Mos Eisley, the “history” that will be reproduced at Canalside was always going to be sanitized through contemporary biases.  While Chris and I advocated for the notion of giving people things to do and see, we were vilified for our suburban-colored glasses and our cultural, architectural, and artistic ignorance.

We merely traded a political planning elite for a cultural planning elite.

And the cultural elite’s Cultural Masterplan is out & embedded below.

Initially, Canalside will feature a Children’s Museum, which will fill a gaping hole in our city – one that Explore & More temporarily filled by bringing certain exhibits to a tent at Canalside during the temperate months. It was like the #Occupy version of a children’s museum. But another feature is something Mark Goldman personally lobbied for incessantly – a “solar powered carousel”, and an interpretive “how Buffalo fed America” look back at the times before the St. Lawrence Seaway and interstate network.

When it comes to the historical significance of the canal terminus, there’s a fine line between education and nostalgia porn.

Longer term, the plan is in deep Niagara Falls fail territory with a “4D theater production” depicting a balloon ride, which will “immerse visitors in a ‘you are there’ journey, with 4D effects such as falling snow, wind gusts, rumbling seats, scents, surround sound…”  The cost of re-making the “MOM” ride at Massachusetts’ Jordan’s Furniture and the 4D rides in the Falls will be $25 million, plus operating costs of about $1.3 – 1.7 million per year.

$25 million to take something that was supposed to be “authentic” and give one a “sense of place” and turn it into sideshow tack and a snack shack. This entire placemaking exercise has been an absolute crock of crowdsourcing nonsense that has let dozens of unelected people with tiny constituencies promote their personal biases and prejudices in the name of the entire community.

They sold us on “authentic”, and “lighter, quicker, cheaper”. We’re getting fake, phony tack. Where’s the sense of place?

Does this follow the 2004 Master Plan?

Authenticity?

Sense of Place if Buffalo is Jurassic Park

 

CanalSide Cultural Masterplan Final Reporthttp://www.scribd.com/embeds/77359065/content?start_page=1&view_mode=list&access_key=key-aea7ew89n7p041wenyq

A presentation to accompany the report is here:

Cultural Master Plan Presentationhttp://www.scribd.com/embeds/77667232/content?start_page=1&view_mode=slideshow&access_key=key-27543cixlwh0p7901zam(function() { var scribd = document.createElement(“script”); scribd.type = “text/javascript”; scribd.async = true; scribd.src = “http://www.scribd.com/javascripts/embed_code/inject.js”; var s = document.getElementsByTagName(“script”)[0]; s.parentNode.insertBefore(scribd, s); })();

On a side note, renderings of a summertime and wintertime Aud block at Canalside look quite inviting. Let’s stick to this:

Artist Rendering of Aud Block in Summer with Public Canals

Artist Rendering of Aud Block in Winter with Public Canals


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Canalside & a Sense of Tacky Place

Both Chris and I have written extensively over the past several years about what’s going on at the Inner Harbor. (Unfortunately, links will have to wait).

In late 2010, the planning for Canalside was co-opted by a crowdsourcing process that provided all of the ills of central planning with none of the decision-making efficiency. After spending hundreds of thousands of dollars on a facile “placemaking” exercise by uncredentialed huckster Fred Kent of the Partnership for Public Spaces, the Erie Canal Harbor Development Corporation retained consultants to help flesh out the historical/cultural aspects of the Canalside project.

While the district had historically been a wetter, be-bricked version of Mos Eisley, the “history” that will be reproduced at Canalside was always going to be sanitized through contemporary biases.  While Chris and I advocated for the notion of giving people things to do and see, we were vilified for our suburban-colored glasses and our cultural, architectural, and artistic ignorance.

We merely traded a political planning elite for a cultural planning elite.

And the cultural elite’s Cultural Masterplan is out & embedded below.

Initially, Canalside will feature a Children’s Museum, which will fill a gaping hole in our city – one that Explore & More temporarily filled by bringing certain exhibits to a tent at Canalside during the temperate months. It was like the #Occupy version of a children’s museum. But another feature is something Mark Goldman personally lobbied for incessantly – a “solar powered carousel”, and an interpretive “how Buffalo fed America” look back at the times before the St. Lawrence Seaway and interstate network.

When it comes to the historical significance of the canal terminus, there’s a fine line between education and nostalgia porn.

Longer term, the plan is in deep Niagara Falls fail territory with a “4D theater production” depicting a balloon ride, which will “immerse visitors in a ‘you are there’ journey, with 4D effects such as falling snow, wind gusts, rumbling seats, scents, surround sound…”  The cost of re-making the “MOM” ride at Massachusetts’ Jordan’s Furniture and the 4D rides in the Falls will be $25 million, plus operating costs of about $1.3 – 1.7 million per year.

$25 million to take something that was supposed to be “authentic” and give one a “sense of place” and turn it into sideshow tack and a snack shack. This entire placemaking exercise has been an absolute crock of crowdsourcing nonsense that has let dozens of unelected people with tiny constituencies promote their personal biases and prejudices in the name of the entire community.

They sold us on “authentic”, and “lighter, quicker, cheaper”. We’re getting fake, phony tack. Where’s the sense of place?

Does this follow the 2004 Master Plan?

Authenticity?

Sense of Place if Buffalo is Jurassic Park

 

CanalSide Cultural Masterplan Final Report

A presentation to accompany the report is here:

Cultural Master Plan Presentation

On a side note, renderings of a summertime and wintertime Aud block at Canalside look quite inviting. Let’s stick to this:

Artist Rendering of Aud Block in Summer with Public Canals

Artist Rendering of Aud Block in Winter with Public Canals