Familiar Buffalo

On Tuesday, I wrote a post demanding an immediate end to the use of “Better Days” as Buffalo’s official anthem. omeone on Reddit pointed out that some of the images used in the WGRZ Olympic promotion video were lifted directly from CVB videos like “Buffalo: A Sense of Place” and “Buffalo. For Real.” Sure enough…

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In the foregoing images, the one one the left is taken from a CVB video, and the one on the right is from WGRZ’s Olympic promotion. I contacted the filmmaker whom the CVB commissioned to do their videos, John Paget, but he has not responded.  Neither a Tweet nor an email to @WGRZ was answered.

I don’t know whether Channel 2 commissioned Paget to do this video, or if it lifted the shots from his productions. But at least the scenes above are identical. 

 

Buffalo’s Got a Spirit (Ban “Better Days”)

No. Please, stop. I can’t take it anymore. Originally recorded for a Christmas album, the use of the Goo Goo Dolls’ “Better Days”  to promote Channel 2, its love of Buffalo, and water splashing is downright insufferable, and it’s become our unofficial civic anthem. You should be insulted. 

It started back in February, during the Super Bowl. Channel 2 showed this, which everyone immediately recognized as being derivative of the Sabres’ own “Better Days” video from the 2007 playoffs:  

[youtube http://www.youtube.com/watch?v=1srKFCToD3Q]

Channel 2 updated it for the Olympics. Instead of a blurry sea of lights behind the interstitial captions, now we have water splashing. Why? A statement about the weather? Something about diving or swimming? Foreshadowing? Symbolically reinforcing that we’re just drops of water in a big pond? Who the f*ck knows?

[youtube http://www.youtube.com/watch?v=j4bPtMRBveM]

I detest these commercials. I have come to have an almost visceral, physically negative reaction to the song itself. Aside from the fact that it’s a maudlin, depressing, weepy dirge, I object to the song’s lyrics and sentiment. “You ask me what I want this year” is the opening line – it’s a Christmas ballad. Why have we turned a Christmas ballad about Jesus and forgiveness and redemption and lifting oneself up from a horrifically depressing tough time into the de facto anthem of Buffalo and western New York? Is living here so bad that we have to pine for the Messiah, or the Rapture, or Christmas? Is living here so fundamentally awful and sad that we need big business (Sabres) and big media (Gannett) to tell us, in effect, that it gets better? 

We’re watching these young, talented athletes compete at the highest levels of their respective sports.  We’re watching a rare display of international sportsmanship and peace. Channel 2 decides to chop up that coverage by occasionally making you feel like a chump for living here. 

Is there a story, or is it just a slideshow? The new video opens with sunrise over Buffalo and Lake Erie. Fade to helicopter shot of our downtown. Fade to kid swinging on a swing? Then – a splash of water with a “what I want this year” caption. It’s not Christmas. Why do I care what you want? Fade to Kleinhans – pan left to right. Quick cut – a couple walking in the park; quick cut – a little girl with what appear to be her grandparents. They’re laughing at something unknown and unknowable. They’re loving each other. They’re happy. Maybe it’s an ad for Caucasians. 

Fade to a beach on the Lake and the Lackawanna windmills. The lake appears cold and choppy. The beach is groomed. The lifeguard’s chair is empty. Abandoned. Like someone had prepared for a busy day of sun and sand, and then abruptly fled. Wait – quick cut to another Caucasian, this time a female, playing with her black lab, which is cavorting in the surf. Quick cut to the dog carrying a stick, quick cut to the woman kneeling by her seated dog, looking wistfully at the camera. She, too, appears to be wondering where and why everyone fled. 

Fade to water droplets overlaid with the words “Better Days”. 

Next, apropos of nothing, we fade to a soldier hugging his wife or girlfriend. They run to each other, and we quick-cut to him hugging two little kids – a boy and a girl. Fade to another water splash with “take these words” captioned over it. Fade to – whoa, fish eye shot of Coca-Cola Field from a passing vehicle. Quick cut to African-American hotel porter giving the thumbs up. Seriously, it’s like something out of a Marx Brothers movie – back before the War when African-Americans were able to be cast in motion pictures, but only as servants. Fade to water splashing and “sing out loud”. 

Quick fade to the Botanical Gardens. Cut to two perfect white people in their perfectly manicured backyard, hugging their perfect little kids. It’s ok. Everyone’s happy. Even these people. Almost as much as thumbs-up-porter guy. Water droplets behind “everyone”.  Then we cut to a time-lapse photo of cloudsmovingveryfast behind part of the Buffalo skyline, and we cut to a mother greeting her young boy, apparently just arrived off the school bus. Cut to American flag wafting gently in the breeze. We’re very proud to be proud. Cut to two teenage girls picking peaches out at the Bidwell Farmer’s Market. Cut & quick pan to a street sign reading, “Buffalo” at the corner of First Street. White fade to a helicopter shot of the American Falls. Fade to splashes, “tonight’s the night”, which, as we established above, is an allusion to Christmas or Christmas Eve. 

Cut to sun shining through some trees. Cut, zoom, focus on the “Village of Hamburg” welcome sign. Cut to boats in front of the rusting, hulking grain elevators. Flags of Canalside, pan up. Time-lapse of the corner of Main & Huron at dusk. Cut to a female looking at some Frank Lloyd Wright stained glass, then turning her head to the camera, smiling. Shot at sunset from a moving car out by the marina, with “tonight’s the night” captioned over it, fade to helicopter shot of downtown at dusk, with “to start believing in” captioned over it, as the words “better days” fade in beneath. Shot of the sunset as the Channel 2 logo flies in, and the Olympic rings embed themselves in it. 

I guess the story is sunrise to sunset and an average day in western New York, that is if your average day is made up of generic b-roll. 

Buffalo has problems just like everyplace else. Perhaps they’re more chronic, systemic, and difficult to improve, but it’s a great place to live. We love our seasons, our sports, our arts, our schools, our people. It’s a nice place, not a depressing place that needs a Christmas song perpetually to cheer itself up. Things are indeed looking up, but we hit bottom long ago – the song would have you believe everything is awful, but we’re about to turn a corner, if only you’ll watch Channel 2. I think the corner’s been turned, and we don’t need cheering up. We like it here just fine, and we don’t like people suggesting to us that we’re a bunch of cretins for living in such a rust-laden, depressing place. It’s not sad. Hell, the Sabres doing well in 2007 wasn’t sad, either. Stop making me sad, Channel 2. Stop playing Christmas songs in July.  As cheesy as “Talking Proud” was, at least the song showed that Buffalo is a happy place with happy people. Buffalo’s got a spirit, bitches.

This song and its overuse as Buffalo’s anthem was the topic of discussion on our “One Thing” podcast with Brad Riter at Trending Buffalo

TBOneThing08-06-12.mp3

Do you have a better idea for Buffalo’s unofficial anthem? Some ideas are being thrown around the Twitter machine under the hashtag “#betterdays2“. 

Buffalo's Got a Spirit (Ban "Better Days")

No. Please, stop. I can’t take it anymore. Originally recorded for a Christmas album, the use of the Goo Goo Dolls’ “Better Days”  to promote Channel 2, its love of Buffalo, and water splashing is downright insufferable, and it’s become our unofficial civic anthem. You should be insulted. 

It started back in February, during the Super Bowl. Channel 2 showed this, which everyone immediately recognized as being derivative of the Sabres’ own “Better Days” video from the 2007 playoffs:  

Channel 2 updated it for the Olympics. Instead of a blurry sea of lights behind the interstitial captions, now we have water splashing. Why? A statement about the weather? Something about diving or swimming? Foreshadowing? Symbolically reinforcing that we’re just drops of water in a big pond? Who the f*ck knows?

I detest these commercials. I have come to have an almost visceral, physically negative reaction to the song itself. Aside from the fact that it’s a maudlin, depressing, weepy dirge, I object to the song’s lyrics and sentiment. “You ask me what I want this year” is the opening line – it’s a Christmas ballad. Why have we turned a Christmas ballad about Jesus and forgiveness and redemption and lifting oneself up from a horrifically depressing tough time into the de facto anthem of Buffalo and western New York? Is living here so bad that we have to pine for the Messiah, or the Rapture, or Christmas? Is living here so fundamentally awful and sad that we need big business (Sabres) and big media (Gannett) to tell us, in effect, that it gets better? 

We’re watching these young, talented athletes compete at the highest levels of their respective sports.  We’re watching a rare display of international sportsmanship and peace. Channel 2 decides to chop up that coverage by occasionally making you feel like a chump for living here. 

Is there a story, or is it just a slideshow? The new video opens with sunrise over Buffalo and Lake Erie. Fade to helicopter shot of our downtown. Fade to kid swinging on a swing? Then – a splash of water with a “what I want this year” caption. It’s not Christmas. Why do I care what you want? Fade to Kleinhans – pan left to right. Quick cut – a couple walking in the park; quick cut – a little girl with what appear to be her grandparents. They’re laughing at something unknown and unknowable. They’re loving each other. They’re happy. Maybe it’s an ad for Caucasians. 

Fade to a beach on the Lake and the Lackawanna windmills. The lake appears cold and choppy. The beach is groomed. The lifeguard’s chair is empty. Abandoned. Like someone had prepared for a busy day of sun and sand, and then abruptly fled. Wait – quick cut to another Caucasian, this time a female, playing with her black lab, which is cavorting in the surf. Quick cut to the dog carrying a stick, quick cut to the woman kneeling by her seated dog, looking wistfully at the camera. She, too, appears to be wondering where and why everyone fled. 

Fade to water droplets overlaid with the words “Better Days”. 

Next, apropos of nothing, we fade to a soldier hugging his wife or girlfriend. They run to each other, and we quick-cut to him hugging two little kids – a boy and a girl. Fade to another water splash with “take these words” captioned over it. Fade to – whoa, fish eye shot of Coca-Cola Field from a passing vehicle. Quick cut to African-American hotel porter giving the thumbs up. Seriously, it’s like something out of a Marx Brothers movie – back before the War when African-Americans were able to be cast in motion pictures, but only as servants. Fade to water splashing and “sing out loud”. 

Quick fade to the Botanical Gardens. Cut to two perfect white people in their perfectly manicured backyard, hugging their perfect little kids. It’s ok. Everyone’s happy. Even these people. Almost as much as thumbs-up-porter guy. Water droplets behind “everyone”.  Then we cut to a time-lapse photo of cloudsmovingveryfast behind part of the Buffalo skyline, and we cut to a mother greeting her young boy, apparently just arrived off the school bus. Cut to American flag wafting gently in the breeze. We’re very proud to be proud. Cut to two teenage girls picking peaches out at the Bidwell Farmer’s Market. Cut & quick pan to a street sign reading, “Buffalo” at the corner of First Street. White fade to a helicopter shot of the American Falls. Fade to splashes, “tonight’s the night”, which, as we established above, is an allusion to Christmas or Christmas Eve. 

Cut to sun shining through some trees. Cut, zoom, focus on the “Village of Hamburg” welcome sign. Cut to boats in front of the rusting, hulking grain elevators. Flags of Canalside, pan up. Time-lapse of the corner of Main & Huron at dusk. Cut to a female looking at some Frank Lloyd Wright stained glass, then turning her head to the camera, smiling. Shot at sunset from a moving car out by the marina, with “tonight’s the night” captioned over it, fade to helicopter shot of downtown at dusk, with “to start believing in” captioned over it, as the words “better days” fade in beneath. Shot of the sunset as the Channel 2 logo flies in, and the Olympic rings embed themselves in it. 

I guess the story is sunrise to sunset and an average day in western New York, that is if your average day is made up of generic b-roll. 

Buffalo has problems just like everyplace else. Perhaps they’re more chronic, systemic, and difficult to improve, but it’s a great place to live. We love our seasons, our sports, our arts, our schools, our people. It’s a nice place, not a depressing place that needs a Christmas song perpetually to cheer itself up. Things are indeed looking up, but we hit bottom long ago – the song would have you believe everything is awful, but we’re about to turn a corner, if only you’ll watch Channel 2. I think the corner’s been turned, and we don’t need cheering up. We like it here just fine, and we don’t like people suggesting to us that we’re a bunch of cretins for living in such a rust-laden, depressing place. It’s not sad. Hell, the Sabres doing well in 2007 wasn’t sad, either. Stop making me sad, Channel 2. Stop playing Christmas songs in July.  As cheesy as “Talking Proud” was, at least the song showed that Buffalo is a happy place with happy people. Buffalo’s got a spirit, bitches.

This song and its overuse as Buffalo’s anthem was the topic of discussion on our “One Thing” podcast with Brad Riter at Trending Buffalo

TBOneThing08-06-12.mp3

Do you have a better idea for Buffalo’s unofficial anthem? Some ideas are being thrown around the Twitter machine under the hashtag “#betterdays2“. 

The Buffalo News in Transition

The Buffalo News

Photo by amstefano988 on Flickr

Margaret Sullivan, the Buffalo News’ editor-in-chief, announced on Monday that she would be leaving the News this summer to become the New York Times’ “public editor” – a position formerly known as “ombudsman”. I wish her well in her new position. 

It does, however, raise some questions about the News. The Buffalo News performs a valuable public service, and it’s Buffalo’s only daily newspaper.  What does a public editor do, exactly

“The role of the public editor is to represent readers and respond to their concerns, critique Times journalism and increase transparency and understanding about how the institution operates,” the media group said in a statement.

“With the vast changes in journalism in recent years, the new public editor will seek new avenues for that mission.”

Sullivan will continue to write a print column, “but she will focus on a more active online role: as the initiator, orchestrator and moderator of an ongoing conversation about The Times’s journalism,” the statement said.

That will include a blog and Web page on NYTimes.com, along with an active social media presence.

Given that New York is a three-daily-paper town, the residents of the city get choices in terms of the type of paper, coverage, and editorial voice they want. The Times transcends that, however. It’s the closest thing we have to a national daily paper of record. The Buffalo News is shrinking. It regularly trumpets that it remains “profitable”, but in the past 10 years or so, it’s lost an entire roster of talented writers, and its online efforts are sometimes successful, sometimes bizarre, and inexplicably unintegrated with the more youthful and vibrant Buffalo.com outlet.

To this day, Sullivan misapprehends what the Buffalo News is in this new media environment. The News is poised to erect a paywall because it believes that it is in the newspaper printing business rather than the journalism and information business. It will be charging 99 cents to obtain online something that costs 75 cents to buy in paper form; that’s 99 cents for something that’s free to distribute versus 75 cents for something that involves paper, ink, trucks, and a wide distribution network. That’s fewer eyeballs looking at the content, looking at the ads accompanying that content.

I don’t get it. The paywall, and its regressive, absurd pricing structure, further cleave the paper from the community it serves. No one wins – combat decreasing physical circulation by decreasing online circulation?  That’s the job qualification for a public editor? Chats that Sullivan has hosted at the Buffalo News’ website revealed nothing along the lines of a public editor role, merely defense for the alleged impartiality of certain columnists and coverage. 

We’re reminded that the News remains profitable; that Papa Buffett remains supportive. Profitability is maintained despite a drop in circulation, because veteran writers would rather take a buy-out than stick around. The News prints lots of things for a fee on their state-of-the-art machinery, including the New York Times.

But Sullivan’s new job – why exactly doesn’t a one-paper town have an ombudsman? Isn’t the News’ duty to its readers somewhat higher, given that there is no print competition? Or is that duty alleviated because of occasional criticism or analysis from online competition like Artvoice, Buffalo Rising, or Investigative Post

After all, most people buy the News for the coupons. The coupons. Isn’t that a damning indictment? Doesn’t that discourage the talented writers who remain at the News, who have been recently placed in new, high-profile beats, or sent out to report on goings-on in suburban town halls, muscling in on the Bees’ turf? How long did Janice Okun stick around expounding on the relative pros and cons of booth dimensions? How many more times will Bob McCarthy repeat his patent bullshit about Chris Collins being scandal-free and fulfilling all the promises? How many more times will Donn Esmonde – nominally retired – write glowing profiles of the newest and best thing said or done by the Elmwood intelligentsia? 

It will be interesting to see how the Buffalo News changes after Sullivan’s departure. Change is inevitable because I don’t think the paywall is going to fix anything. I also believe that the News is in the business of journalism, not in the business of printing a paper. It should be spending money and using resources to create a 21st century newsroom and a product that is less reliant on coupons and gimmickry, and better integrates itself into the networks of people, groups, and neighborhoods that make up WNY. 

The internet shook the newspaper business to its core.  Very few, if any, papers, have adapted well to that shift to the new media landscape. Sullivan kept the paper afloat under monopolistic market conditions. Buffalo.com is unable to integrate with BuffaloNews.com – banner ads promote each in the other.  What is your opinion of the Buffalo News? Do you buy it? Subscribe? What reporters do you appreciate and follow? I enjoy the work of Tim Graham, Matt Spina, Denise Jewell Gee, Andrew Galarneau, Aaron Besecker, and Steve Watson, to name a few. 

You go to the Newseum in Washington, and you get the very real sense that it’s a museum honoring the relics of pre-internet news gathering and dissemination.  As people shift from paper to computer to tablets, the Buffalo News has been playing catch-up, oftentimes frustratingly so. We criticize the News because it’s the only game in town. Because it’s the only game in town, it has a duty to be better; more responsive, accessible, and transparent to the community it serves. 

Email: buffalopundit[at]gmail.com


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On the Long Walk

I’ve never served in the military. I’ve never really wanted to serve in the military. I often joked that my father’s compulsory service first to Comrade Tito’s Yugoslavia, and less than a decade later to the United States Army made up for my absence. What little I know of military service is superficial and abstract. As far as understanding what it means to serve in the military, much less be deployed to a faraway place to fight in a war – not a chance. I can’t fathom it, I can’t begin to pretend to know what it’s like. 

At times, I regret it. I talk a big game about the importance of public service and sacrifice. But what have I really done that’s important; to serve my country? Nothing. I’m a hypocrite, and a lazy one, to boot. 

When I say Brian Castner is a friend of mine, even that’s sort of pushing it, because I’ve inexplicably made little effort to build a regular, old-fashioned friendship. But we have a 21st century sort of friendship; I know him from our online existence, and I always respect his opinion – not just his rational, thoughtful center-right point of view, but his humor, his eloquence, and his persuasiveness. He’s one of the few commenters who regularly gets me re-thinking things.  Brian is someone with whom you can have a reasoned, intelligent, philosophical discussion over a few beers in a backyard.  That’s something of a rarity.

When writing for WNYMedia.net, I knew Brian had served overseas. I don’t recall when I first learned exactly what it was that he did, but it was a “holy shit” moment. When I learned that he was writing a book about his experiences, I thought that was cool. Now that it’s out, and it’s a big deal, I’m genuinely happy for him; sort of like he’s a kid I know from the WNYM neighborhood who made good. 

http://rcm.amazon.com/e/cm?lt1=_blank&bc1=000000&IS2=1&bg1=FFFFFF&fc1=000000&lc1=0000FF&t=buffalopundit-20&o=1&p=8&l=as4&m=amazon&f=ifr&ref=ss_til&asins=0385536208

Then I read the book.  

Brian’s book is no memoir. It’s not some wartime biography that’s presented to you – the reader – in some neat, linear package. No, it’s decidedly nonlinear in its structure, sometimes jumping – paragraph to paragraph – between contemporaneous WNY and Kirkuk, Iraq. Brian uses it to illustrate the Crazy feeling he gets now – the one he salves with running and yoga. 

That nonlinear narrative is an incredible device because through it, Brian ever-so-subtly tries to get you to feel Crazy, too. 

I say it’s not a memoir, and it’s not. It’s partly a love letter. To his wife, to his brothers – fallen and not, to his children, but above all to his former self.  It’s also partly a requiem for what he lost in war. People die, yes – but they can die physically, and they can die psychically or emotionally. They can die immediately, or it can take years.  Brian examines all of this, and you understand that, like the shockwaves from a bomb blast, a single event can have myriad consequences – some direct, some ancillary.  Some immediate, some delayed.  Oftentimes, it’s wildly unpredictable.  Brian avers that the old him died in Iraq – and because the physicians and psychologists can test today-Brian versus then-Brian, you can’t really quantify or scientifically diagnose what that transformation is. 

Modern war, modern way of being injured, of dying. 

But the book isn’t necessarily about war in Iraq, although it’s partly set there. The war isn’t a character, either. Nor is the book about being an explosive ordinance disposal technician – although you learn something plenty about what that entails. It doesn’t take a position on the morality or propriety of that war, or any other war. Or war in general. ou go to Kirkuk, you do a job, you do it well, you don’t die, and you come home. Bullets, bureaucracy, and incompetence are overcome – in this instance – by training, preparedness, teamwork, and sheer luck. You’re left to consider for yourself what to think about it all.

When I read of Brian’s visit to an anti-war art installation, where the artist suggests that the soldier’s only moral choice is suicide, I recoiled. These guys just want to do dismantle bombs to keep people alive, for God’s sake! It’s dangerous enough as it is, how is it moral to recommend someone commit suicide rather than dismantle bombs? Being Crazy, Brian’s reaction to it was chilling. 

I finished the book early Monday morning, after staying up far too late Sunday trying to do just that. It’s an intimate glimpse into an injured brain, but a keen and observant mind.  You’ll know Brian, too; more than most people know about their closest friends. It challenges you to remember that the “troops” isn’t some monolith blindly shootin’ and winnin’. The “troops” is made up of flawed individuals who just want to get home in one piece, and that the risks that they take – albeit voluntarily – should not be considered lightly or lackadaisically. The risks that they take are immense, and they are not undertaken by supermen, but by regular men and women.  That when they come home – if they come home – the sacrifice doesn’t end when they reach American soil.  

For those who are lucky enough to make it home, they’re often not the same.  War breaks bodies, but it also crushes souls. 

On Wednesday evening at 7pm, Brian will be reading from his book at Talking Leaves at 3158 Main Street near UB South, and also signing copies. Go meet him. Go listen. 

Meta?

ICYMI, Dan Rather is reviewing HBO’s the Newsroom for Gawker

Among the issues dealt with in this episode: The fact that we journalists are reluctant to call lies… lies (and thus seldom if ever do.) How anchor persons deal, and don’t deal, with the celebrity aspects of their jobs. What an ego-centric job anchoring is. Office romances, especially among young staffers. And the dangers of going on the air in the early stages of big, breaking news with early reports and rumors, even when your competition is running hard with them; the gut-checks demanded by the pressure of such situations.

Things I especially liked (and know to be true based on my own experience): How a newsroom springs to life when a big breaking story hits. (The example they used is the Giffords shooting in Arizona.) How it’s nearly always true that some good reporter gets fixated on some “way out” story (The example for this is the “Big Foot” story that won’t die.) The sleepless nights of anchormen (and women), who, if they are any good, have more of them than most people—sometimes for good reasons, sometimes for trivial ones.

Political Soothsaying

Chris Collins 2010 Summer Green Series Speaker

Photo by Flickr User KVIS

What I do here is offer my opinion on issues and events. I seldom cover actual news, and on the rare occasion that I do, I still do it from a particular point of view, and will ultimately tell you what I think about it – and what I think you should think about it. 

What the Buffalo News does is report the news, except in clearly defined columns, and on the op-ed pages, where the author’s own opinion is proferred. 

What nobody does is enter psychic mode and extrapolate what an interviewee actually meant to say, and then offer up an amended version of a quote. 

The Batavian is a website that mostly reports the news. It has occasionally delved into opinion writing, but for the most part it reports on goings-on in the courts, sports news, development, entertainment, who got arrested at Darien Lake, and what happens on the scanners. It’s small-town reporting at its purest, and it’s a great resource for Batavians who until recently had only a single local paper. It also covers local, state, and federal political races that are relevant to its readership.  It’s a straight news outlet. 

Earlier this week, I highlighted an interview that the Batavian’s Howard Owens conducted with congressional candidate Chris Collins, where he made some outrageous statements about the survivability of breast and prostate cancers. The quote was as follows: 

The healthcare reforms Collins said he would push would be tort reform and open up competition in insurance by allowing policies across state lines.

Collins also argued that modern healthcare is expensive for a reason.

People now don’t die from prostate cancer, breast cancer and some of the other things,” Collins said. “The fact of the matter is, our healthcare today is so much better,  we’re living so much longer, because of innovations in drug development, surgical procedures, stents, implantable cardiac defibrillators, neural stimulators — they didn’t exist 10 years ago. The increase in cost is not because doctors are making a lot more money. It’s what you can get for healthcare, extending your life and curing diseases.” [Emphasis added].

Later that day, the Erie County Health Commissioner issued a statement challenging Collins’ assertion, and urging people to get tested and to be vigilant for breast and prostate cancers. Almost at the same time, Collins’ opponent, incumbent Congresswoman Kathy Hochul released this

“Chris Collins has demonstrated a stunning lack of sensitivity by saying, ‘people now don’t die from prostate cancer, breast cancer, and some of the other things.’ Tragically, nearly 70,000 people will die this year from these two types of cancer alone.  We can disagree about public policy without making these kinds of outrageous and offensive statements.”

Good statement – concise, pointed, properly angry and scolding. The quotation was verbatim from the Batavian’s piece.  
 
However, The Batavian’s Howard Owens was not happy, and he expressed his displeasure in a novel way. Without differentiating his post from the straight reporting the Batavian otherwise usually engages in, he posted a pure opinion piece which, I think, crossed a line. After printing Hochul’s statement, Owens opines, 

That’s the statement, with no reference to the source nor the full quote so people could judge the context for themselves.

The original source is The Batavian (both as a courtesy to The Batavian and as a matter of complete transparency, the Hochul campaign should have included this fact in its release).

I’ll be the first to admit that I get pissy when I don’t get proper credit for something, but is this more a fit of pique than anything else?  After all, Collins’ statement about cancer survivability stands on its own, and speaks for itself.  If there exists any doubt about the pure meaning of Collins’ words, then it’s up to Collins to explain them and expand upon them, no? But here, Owens goes on to reproduce the entire paragraph in which Collins’ cancer quip is contained, and continues: 

On its face, the opening part of the quote from Collins sounds outrageous, but in context, clearly, Collins misspoke. More likely, he meant to say. “Fewer people die from prostate cancer, breast cancer and some of the other things.” [emphasis added].

First, Owens supposes that Collins simply misspoke. Well, what Collins said seems outrageous because it is outrageous. Context? The context about which Owens is so concerned is open to interpretation, I suppose. But isn’t that conclusion solely within the province of the utterer of the words, or the reader of the article?

Is Collins grossly misinformed about cancer survivability, or is he just a clumsy politician who was trying to embellish a point about how Obamacare is horrible and health care is expensive, and should be? That’s my call – not Owens’. 

Propriety aside, I don’t see any evidence that Collins “misspoke”. There was no follow-up, and he didn’t correct his statement. Collins didn’t go on to further explain or expand upon what he said about breast and prostate cancers. He just went on to assert that some 40 year-old medical technologies like TENS machines and implanted defibrillators “didn’t exist 10 years ago”. 

The whole paragraph is a load of semi-informed nonsense. The whole paragraph is Collins’ politicization of health care to persuade readers to maintain the status quo. Yet Owens argues that it’s important for voters to consider Collins’ BS about cancer within the context of all the other falsehoods and lies he excreted during that portion of the interview. 

The real outrage, though, is Owens’ second assertion – suggesting what Collins must have meant to say, and completely re-stating what Collins said, in quotation marks.  That’s not how journalism works. What else exists in that paragraph to help reach the conclusion that Collins really meant something different from what he actually said? After that first ridiculous sentence, Collins utters not another word about cancer

If Owens thought Collins “misspoke”, he could have asked a follow-up; for example, “wait, you just said no one dies from breast cancer or prostate cancer, you didn’t really mean that, did you?” But there was no such follow-up. There was no explanation; there is no relevant context to further explain what Collins meant. Owens is playing psychic and ex-post-facto trying to repair a Collins gaffe. Hey, Howard, what did Collins “mean” when he repeatedly called Shelly Silver the “anti-Christ”? What did Collins “mean” when he invited a female Republican bigwig to give him a “lapdance”? 

Allow me to divert from the underlying point by asking, why? 

Why do WNY media and their personalities and writers bend over backwards so regularly and consistently for Chris Collins? Is it because Collins demands that kind of treatment in exchange for access? Is it because they’re enamored of his money and success? Is it because of campaign ads?  I’m asking seriously. This guy gets away with so many lies, so often, and he gets a routine uncritical pass. 

Think I’m kidding? Just this past Sunday, Bob McCarthy wrote the same bunch of brown-nosing BS about Chris Collins that he’s written at least twice before. “[Collins] had done everything he said he would do. His administration was scandal-free. And he lost.”  In November 2011, McCarthy wrote, “How did a county executive who fulfilled all his promises with minimal effects on taxes and no scandals manage to lose?”  Then again in December 2011, McCarthy wrote, “This time, the defeat seems to genuinely hurt. Collins struggles to grasp how he lost after keeping all his campaign promises of 2007 while running Erie County without a hint of scandal.”  I addressed the blatant inaccuracy of the “scandal-free” / “promises kept” assertions here

That’s a lot of identical puffery of one guy, multiple times in one year. The same reporter did a story on this Collins cancer kerfuffle , and Collins basically said he knows people with cancer. Having politicized cancer by suggesting that, thanks to America’s unsustainably expensive health care system, “no one dies from” certain types of the disease, Collins issued this: 

As the brother of a breast cancer survivor, I am grateful for the medical advances that saved my sister’s life, which would not have been possible a generation ago,” he said. “I find it troubling that Kathy Hochul would politicize the seriousness of cancer.

Hey, Chris and Howard – where in that extended Batavian quote did Collins mention a single, solitary medical advance, treatment, or medication that has anything to do with improved breast and prostate cancer survivability over the past generation? I’ll answer for you: nowhere. Perhaps reporters shouldn’t try to play soothsayer and, weeks later, divine what their interviewees “mean” to say, and then create phony “amended” statements, complete with improper quotation marks.  

Owens concludes,  

That’s not what he said (I taped the interview and the original quote as published is accurate), but the rest of the quote clearly explains the larger point he is trying to make, which is that medical advances have driven up the cost of healthcare.

To rip this quote out of context and try to use it to paint Collins as some sort of insensitive boob is the kind of below-the-belt, negative campaign tactic that keeps people from being engaged in the process and casting intelligent votes. Frankly, I think of Kathy Hochul as somebody who is more dignified than this sort of mudslinging.

Well, actually, it is precisely what he said, isn’t it?  I mean, if the original quote as published is accurate, then Collins said exactly what you wrote. Does it “clearly explain” some uninformed point Collins was trying to make about Obamacare-is-bad? Not really.
 
Is it mudslinging? By whom
 
Do I think that Chris Collins really believes that breast and prostate cancers don’t kill people anymore? I don’t really know, but I’m willing to accept that he’s a reasonably intelligent, reasonably well-informed person who would know that these cancers remain quite lethal.  So, do I think he “misspoke”? Not really – “misspoke” implies inadvertent error. So, what’s going on? 
 
I disagree with Owens’ crystal ball about what Collins “meant” to say. I think Collins said exactly what he meant to say; that people, generally, don’t die from prostate and breast cancers as much anymore, thanks to innovation and technology.  But he never properly expressed his point, and certainly didn’t back it up.  He politicized cancer and medical advances in order to make a point that we should maintain the current, unsustainable, unfair, over-expensive and under-performing system of private health insurance we have today, and that Obamacare (and, by extension, Kathy Hochul), are bad.  He was doing what politicians do – embellishing facts to score a political point. To suggest otherwise; to suggest that Hochul’s statement was an egregious horror whilst Collins’ was an earnest mistake, is utter nonsense.
 
Politicians are engaged in a competitive system and have to differentiate themselves through persuasion. Collins made a factual assertion, and his opponent criticized it. If Hochul crossed some arbitrary Owens line of propriety, so did Collins. 
 
Owens suggested on Twitter that I was being hypocritical, because I cheered him when he embarrassed Jane Corwin last year.  The facts beg to differ.  In 2011, Owens was doing his job as a reporter – asking Corwin pointed questions about the second videotape that would have shown her staffer Michael Mallia harassing Jack Davis.  He was committing journalism in the first degree – pretending to be a Lily Dale psychic with respect to Collins’ “meaning” isn’t the same thing. 
 
In 2011, Owens didn’t fire up the Batavian posting machine to specifically fisk a statement that Corwin made, accuse her of a “slur”, and suggest that the verbatim transcription of what someone said wasn’t really what they meant to say, and then create and publish a fictional amended quotation to reflect that “meaning”. 
 
Owens is entitled to his outrage at Hochul’s rather mild reaction to Collins’ politicization of cancer, but to accuse her of a “slur” for repeating what Collins said, and criticizing it, is ridiculous. To create an opinion piece specifically to call her out for it is silliness. To – without any factual evidence – condescend to the reader by explaining Collins’ meaning and amending his statement, and surrounding it in quotation marks, is outrageous. 
 
Maybe what Owens misspoke. What he meant to say was, “Hochul’s statement was quite tame, and I’m genuinely upset that she didn’t cite the Batavian.
 
Sucks, doesn’t it? 

The Newsroom: Opening Scene

A new Aaron Sorkin show called the “Newsroom” debuted on HBO Sunday night, and it stars Jeff Daniels as the brash, obnoxious news anchor who’s something of a conflicted diva genius.  The show overall was quite smart and well-written, but the opening scene, featuring Daniels’ character as part of a panel discussion at Northwestern University with generic liberal and generic conservative, was brilliant. 

At one point, a young girl asks the panel why they think America is the greatest country in the world. Daniels demurs, twice, before giving this answer: 

[youtube http://www.youtube.com/watch?v=YI7Oq8y-jXA&w=640&h=360]

Just in case you accidentally wander into a voting booth one day, there are some things you should know, and one of them is that there is absolutely no evidence to support the statement that we’re the greatest country in the world. We’re seventh in literacy, twenty-seventh in math, twenty-second in science, forty-ninth in life expectancy, 178th in infant mortality, third in median household income, number four in labor force, and number four in exports. We lead the world in only three categories: number of incarcerated citizens per capita, number of adults who believe angels are real, and defense spending, where we spend more than the next twenty-six countries combined, twenty-five of whom are allies. None of this is the fault of a 20-year-old college student, but you, nonetheless, are without a doubt, a member of the WORST-period-GENERATION-period-EVER-period, so when you ask what makes us the greatest country in the world, I don’t know what the fuck you’re talking about?! Yosemite?!!!

We sure used to be. We stood up for what was right! We fought for moral reasons, we passed and struck down laws for moral reasons. We waged wars on poverty, not poor people. We sacrificed, we cared about our neighbors, we put our money where our mouths were, and we never beat our chest. We built great big things, made ungodly technological advances, explored the universe, cured diseases, and cultivated the world’s greatest artists and the world’s greatest economy. We reached for the stars, and we acted like men. We aspired to intelligence; we didn’t belittle it; it didn’t make us feel inferior. We didn’t identify ourselves by who we voted for in the last election, and we didn’t scare so easy. And we were able to be all these things and do all these things because we were informed. By great men, men who were revered. The first step in solving any problem is recognizing there is one—America is not the greatest country in the world anymore.

The Buffalo News and its Paywall

In a column published online last night, Buffalo News editor-in-chief Margaret Sullivan announced that, beginning in the Fallthe Buffalo News will shunt much of its content behind a paywall. People who don’t subscribe to the print edition will be automatically given a digital subscription, and digital-only subscriptions will cost $2.50/week. If you don’t subscribe, you’ll get access to breaking news, classifieds, obits, “breaking news”, the “home page”, and 10 stories per month, using something similar to the New York Times model. 

I’m not a current subscriber, and haven’t bought a copy of the News in months. But I do check the website at least once a day, but I haven’t decided yet whether I’ll buy a subscription. I think that this change provides a unique opportunity for a free daily news entity to be developed in Buffalo, perhaps along the lines of a model called a “Local Media House“. The model relies on a democratized newsroom, technology, mobile site access, good design, experimentation on the web, and strategic partnerships with other media outlets.  The print product is a tabloid – not a broadsheet – “content is king, and design is queen”, they say in these Scandinavian outlets, which are doing remarkably well in a quickly changing news landscape. 

Is the Buffalo News still relevant to you on a daily basis? Do you subscribe? Do you read it every day, or just when you’re alerted to something interesting or newsworthy? Are any of the columns must-read? Features? Sports? Does the separation between the Buffalo News and Buffalo.com confuse you as much as it does me?  

UPDATE: The details of the paywall are now online, and several Buffalo News Tweeters are out defending this decision. Here are some things to consider: 

1. Author Jeff Jarvis has this to say about the perils of the paywall – the internet is about eyeballs, relationships, interaction, and Googlejuice. A paywall does harm to all of those things and imposes a print model on a digital product. 

2. The price to buy a paper copy of the Buffalo News – an item that has been printed by a state-of-the-art machine, manned by several people, and then bundled onto trucks and distributed throughout the area – costs 75¢. If you are not a subscriber and want one-day, pay-as-you-go, access to a single day of the digital Buffalo News – a product that no one prints or physically delivers – will cost you 99¢. 

3. Here are some selected Twitter reactions: 

[<a href=”http://storify.com/buffalopundit/the-buffalo-news-paywall-early-reax” target=”_blank”>View the story “The Buffalo News’ Paywall: Early Reax” on Storify</a>]<h1>The Buffalo News’ Paywall: Early Reax</h1><h2>The Buffalo News today announced that it would erect a paywall starting this Fall. Here’s what people on Twitter had to say about it this morning. </h2><p>Storified by Alan Bedenko &middot; Fri, Jun 15 2012 09:50:00</p><div>May sound odd, but I’m looking forward to supporting the paper’s future by paying for online news. @JaySkurski @Sulliview @TheBuffaloNewsMatt Sabuda</div><div>Don’t see myself paying for ANY news online, even if it’s local. http://www.buffalonews.com/editorial-page/columns/margaret-sullivan/article904114.ece #BuffaloPhil Ciallela</div><div>@Sulliview @TheBuffaloNews That is a reposition for abject failure if you think people are going to pay to read that online.boner shorts</div><div>&quot;The Courier Express shall rise from the ashes of The Buffalo News’ post-paywall collapse!&quot; says Jimmy Griffin’s ghost…Thomas Dolina</div><div>RT @capsworth: @BNHarrington @Sulliview @JaySkurski Makes sense. A fair price for a great product. This Buffalo native will be subscribing here in Philly.Mike Harrington</div><div>RT @rachbarnhart: Buffalo News announces paywall http://bit.ly/MbhBMR @sulliview – Don’t reflect fact we get news from multiple sources, can’t pay 5 papersHoward Owens</div><div>I give the Buffalo News pay wall 6 months before its goneChaz Adams</div><div>I am shocked, *shocked* to find that journalism costs money to produce. To think!colindabkowski</div><div>Based on my feed, not too many people happy with the Buffalo News decision to charge for online content.Robert Harding</div><div>Unsurprising: @Sulliview announces paywall for @TheBuffaloNews http://www.buffalonews.com/editorial-page/columns/margaret-sullivan/article904114.eceHoward Owens</div><div>The new Buffalo News digital subscription is going to be even more expensive than The New York Times. Not worth it at half the price.T. Glanowski</div><div>The Buffalo News is dead. Who’s going to pay for digital access to a crap paper? You don’t even get coupons. http://goo.gl/QbXGR #fbJames G. Milles</div><div>In the Buff News today: paid subscriptions to get full web access. The journal is FREE online, subscription or no! http://ow.ly/bBeUbSpringville Journal</div><div>#Buffalo News announces paywall, offers unique opportunity for alternative free online daily. http://www.buffalonews.com/editorial-page/columns/margaret-sullivan/article904114.eceAlan Bedenko</div>

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